Artists

MARYELLEN LATAS

Untitled, 2008-203
Maryellen Latas
Untitled, 2008-203, 2008
Lead Foil and casein on Baltic Birch

12 x 12 x 4 inches
(Inventory #20269)


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SELECTED WORKS

On A Background of Gold No. 1Maryellen Latas
On A Background of Gold No. 1, 2010
Lead 0.016", 23 karat gold leaf with Chartpak graphic tape

12 x 12 x 2 inches

(30.5 x 30.5 x 5.1 cm)
(Inventory #23285)


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Maryellen Latas
On A Background of Gold No. 2, 2010
Lead 0.016", 23 karat gold leaf with Chartpak graphic tape

12 x 12 x 2 inches

(30.5 x 30.5 x 5.1 cm)
(Inventory #23286)


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On A Background of Gold No. 2
Untitled, 2007-201-1-3 (triptych in red, yellow, and blue)Maryellen Latas
Untitled, 2007-201-1-3 (triptych in red, yellow, and blue), 2007
Lead Foil, Shiva brand casein over on Baltic Birch

1st component: Cadmium Red Extra Pale & Cadmium
Red Extra Scarlet
2nd component: Cadmium
Yellow Medium
3rd component: Cobalt Blue
Each of three: 12 x 12 1/2 x 4 inches, with 4 x 4 x 2 inch insets
(Inventory #19164)


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Maryellen Latas
Untitled, 2009-206 (triptych), 2009
606IT6 aluminum with clear coat mat finish

Signed, titled and dated on the back
Each of three: 12 x 12 x 2 inches
(30.5 x 30.5 x 5 cm each)
(Inventory #20786)


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Untitled, 2009-206 (triptych)
Untitled, 2008-204Maryellen Latas
Untitled, 2008-204, 2008
Lead Foil over Baltic Birch with Williamsburg powdered pigment (Alizarin Crimson)

12 x 12 x 4 inches
(Inventory #20270)


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Maryellen Latas
Untitled, 2008-205, 2008
606IT6 Aluminum, clear coat mat finish, Williamsburg powder pigment (Cadmium Orange)

12 x 12 x 4 inches
(Inventory #20271)


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Untitled, 2008-205
Untitled 2003-180Maryellen Latas
Untitled 2003-180, 2003
Lead Foil, Shiva Rose Red Casein over Titanium White on Baltic Birch

12 x 12 x 4 inches
(Inventory #18544)


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Maryellen Latas
Untitled, 2006
Lead foil, Williamsburg Cobalt Violet dry pigment on baltic birch

24 x 24 x 2
(Inventory #18391)


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Untitled
UntitledMaryellen Latas
Untitled, 2006
Lead foil, Williamsburg Cerulean Blue dry pigment on baltic birch

24 x 24 x 2
(Inventory #18390)


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Maryellen Latas
Untitled 2002-169-1-3, 2002
Lead foil 0.016”, shiva brand casein on birch (3 elements)

4 x 4 x 2 inches each
Edition of 10
signed, dated and titled verso
(Inventory #14197)


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Untitled 2002-169-1-3
Untitled 2001-200-1-3Maryellen Latas
Untitled 2001-200-1-3, 2001
Set of three cubes in 6061T6 aluminum, anodized clear

4 x 4 x 4 inches each
signed verso
Edition AP of 10
(Inventory #18719)


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Maryellen Latas
Untitled 2000-118-1-4, 2000
lead 0.016”, 23 kt gold leaf, gold size on baltic birch (4 elements)

4 x 4 x 2 inches each
signed, dated and titled verso
(Inventory #20065)


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Untitled 2000-118-1-4
Cube / Line Drawing, #2Maryellen Latas
Cube / Line Drawing, #2, 2004
#2 pencil on Rives BFK paper

Signed, dated and titled verso
4 x 4 inches  (10.2 x 10.2 cm)
(Inventory #15442)


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Maryellen Latas
Cube / Line Drawing, #10, 2004
#2 pencil on Rives BFK paper

Maryellen Latas
Cube / Line Drawing, #10, 2004
#2 pencil on Rives BFK paper
Signed, dated and titled verso
4 x 4 inches  (10.2 x 10.2 cm)
(Inventory #15450)


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Cube / Line Drawing, #10
Dot Drawing, #18Maryellen Latas
Dot Drawing, #18, 2004
#2 pencil on Rives BFK paper

Signed, dated and titled verso
4 x 4 inches  (10.2 x 10.2 cm)
(Inventory #15474)


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Maryellen Latas
Dot Drawing, #19, 2004
#2 pencil on Rives BFK paper

Signed, dated and titled verso
4 x 4 inches  (10.2 x 10.2 cm)
(Inventory #15475)


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Dot Drawing, #19


RELATED INFORMATION
  1. Group Show
  2. Summer Group Show
  3. Maryellen Latas: Lead & Gold
  4. The Annual AIDS Benefit Exhibition 2011
  5. The Annual AIDS Benefit Exhibition 2010
  6. The Annual AIDS Benefit Exhibition 2009
  7. The Annual AIDS Benefit 2008
  8. The Annual AIDS Benefit 2007
  9. The Annual AIDS Benefit 2006
  10. Maryellen Latas Biography

 

Just as the act of looking at an object is transfigured by the gender, race, socioeconomic class and sexual orientation of the viewer, the act of making an object is informed by it’s maker’s gender, race, socioeconomic class and sexual orientation.

My work embodies my experiences. Experiences as a girl, as a woman, as a second generation American of Eastern European descent, as a white, middle-class, heterosexual female, as a critical care nurse and later as an artist; experiences which have in part defined me and consequently, my work.

Formally, the work deals primarily with light and space through the use of squares and cubes. They exist singularly, paired, tripled and quadrupled, connected, disconnected, separated and recombined in groups. At times the square is progressively penetrated or opened up, space is created/revealed/exposed. Other times, the square is deepened to become a cube, falls and sinks into the ground or grows to a height close to that of the viewer. Context, relationships, repetition and connections are at the heart of my work.

Maryellen Latas




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